The Accommodated Animal: Cosmopolity in Shakespearean Locales

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Delivery will then take working days. But he used the word 'animal' only eight times in his work - which was typical for the sixteenth century, when the word was rarely used. As Laurie Shannon reveals in 'The Accommodated Animal', the animal-human divide first came strongly into play in the seventeenth century, with Descartes' famous formulation that reason sets humans above other species: 'I think, therefore I am. With Shakespeare as her touch-stone, Shannon explores the creaturely dispensation that existed until Descartes.

She finds that early modern writers used classical natural history and readings of 'Genesis' to credit animals with various kinds of stakeholdership, prerogative, and entitlement, employing the language of politics in a constitutional vision of cosmic membership.

Routledge Revivals Shakespeare's Talking Animals 1973 Language and Drama in Society

Using this political idiom to frame cross-species relations, Shannon argues, carried with it the notion that animals possess their own investments in the world, a point distinct from the question of whether animals have reason. It also enabled a sharp critique of the tyranny of humankind.


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By answering 'the question of the animal' historically, 'The Accommodated Animal' makes a brilliant contribution to cross-disciplinary debates engaging political theory, intellectual history, and literary studies. You must have Javascript enabled to ask and answer questions Your question and answer privileges have been disabled. You must log in to view questions and answers on this listing.

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Laurie Shannon

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The Accommodated Animal: Cosmopolity in Shakespearean Locales

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